Ausführliche Beschreibung der vorgewählten Orgel
Bild: Piet Bron
Paris, France (Paris (75)) - Église Saint-Roch (1e arrondissement)
Gemeinde: Paris
Region:Île-de-France
Adresse: 296, rue Saint-Honoré, 75001, Paris
Website: http://www.saintroch-esqualite.com/
Beschreibung nr.: 2001073.
Gebaut von: François-Henri Lesclop (1751)
Technische Daten
Disposition
Grand-Orgue (C-f'''): Montre 16', Bourdon 16', Corni Dolci 16' (from c'), Montre 8', Bourdon 8', 1ère Flûte Harmonique 8', 2ème Flûte Harmonique 8', Salicional 8', Prestant 4', Gambe 4', Octavin Doublette 2'.
Positif de Dos (C-f'''): Montre 8', Bourdon 8', Flûte Harmonique 8', Gambe 8', Voix Céleste 8', Prestant 4', Dulciana 4', Nazard 2 2/3', Doublette 2', Tierce 1 3/5', Cornet 5 rangs, Grand Fourniture 2 rangs, Fourniture 4 rangs, Cymbale 3 rangs, Trompette 8', Cromorne 8', Hautbois 8', Clairon 4'.
Bombarde (C-f'''): Bombarde 16', 1ère Trompette 8', 2ème Trompette 8', Clairon 4', Clairon 2' - 4'.
Récit Expressif (C-f'''): Bourdon 8', Flûte Harmonique 8', Gambe 8', Voix Céleste 8', Flûte Octaviante 4', Octavin 2', Trompette 8', Basson-Hautbois 8', Voix Humaine 8', Clairon 4', Trémolo.
Pédale (C-f'): Flûte 16', Flûte 8', Grande Quinte 5 1/3', Flûte 4', Bombarde 16', Trompette 8', Basson 8', Clairon 4', Clairon 2'.
Koppeln: Accouplement du Positif au Grand-Orgue, Accouplement du Bombarde au Grand-Orgue, Accouplement du Récit au Grand-Orgue, Octaves Graves Récit au Grand-Orgue, Accouplement du Bombarde au Récit, Tirasse Grand-Orgue, Tirasse Positif, Tirasse Bombarde, Tirasse Récit.
Nebenregister und Spielhilfen: Appel d'Anches Récit, Appel d'Anches Pédale, Appel Machine Barker.
YouTube
Concert St Roch (Paris) / Marc Roussin (2015)
Bild: Piet Bron
Paris, France (Paris (75)) - Église Saint-Roch (1e arrondissement)
Gemeinde: Paris
Region:Île-de-France
Adresse: 296, rue Saint-Honoré, 75001, Paris
Website: http://www.saintroch-esqualite.com/
Beschreibung nr.: 2001073.
Gebaut von: François-Henri Lesclop (1751)
Jahr | Orgelbauer | Opus | Aktivität | 1752 | François-Henri Lesclop | Neubau | 1755 | Louis-Alexandre Clicquot | Neubau | 1770 | François-Henri Clicquot | Vergrößerung | 1802 | Pierre Dallery | Reconstruction | 1820 | François Dallery | Vergrößerung | 1842 | Aristide Cavaillé-Coll | Umbau | 1859 | Aristide Cavaillé-Coll | Vergrößerung | 1881 | Aristide Cavaillé-Coll | Verschiedene Tätigkeiten | 1901 | Charles Mutin | Restaurierung | 1927 | Joseph Gutschenritter | Vergrößerung | 1948 | Joseph Gutschenritter | Vergrößerung | 1994 | Jean Renaud | Restaurierung | 1994 | Michel Jurine | Restaurierung | 1994 | Jean-Pierre Swiderski | Verschiedene Tätigkeiten |
- The organ of the Église Saint-Roch in Paris was built by François-Henri Lesclop in 1750-1752. He designed a four-manual organ with 34 registers. After Lesclop died in 1752, Louis-Alexandre Cliquot took over the work. The organ was completed in 1755. The organist and composer Claude-Béninge Balbastre was one of the first organists of this instrument. It was modified in 1769-1770 by François-Henri Clicquot and extended with a fifth manual with a Bombarde 16'.
- During the French Revolution, the organ suffered greatly. More than half of the pipework was gone. Pierre Dallery started repairing the organ in 1802, using pipework from several organs that had broken down in those years. This work was completed by his son François Dallery in 1820. The organist at this time was Antoine Léfbure-Wély, father of the organist-composer Louis James Alfred Léfebure-Wély.
- The organ got its current form in the years 1841-1842. Aristide Cavaillé-Coll rebuilt the organ into a four-manual instrument with 49 registers, using the old case and part of the pipework. Cavaillé-Coll then modified the organ in 1859 and in 1881. Charles Mutin restored the organ in 1901. He modified the pedal compass, which until then started in F major. Joseph Gutschenritter expanded the disposition of the Récit with a few stops in 1927 and 1948.
- In the years 1991-1994 the organ was restored by Jean Renaud in collaboration with Michel Jurine. The situation of 1881 has been reconstructed, while retaining the pedal compass from 1901. The pipework has been revoiced by Jean-Pierre Swiderski. The organ case was repainted by Paul Poilpré in the original ocher yellow colour.
Technische Daten
Anzahl Register pro Manual | |
- Grand-Orgue | 11 |
- Positif de Dos | 18 |
- Bombarde | 5 |
- Récit Expressif | 10 |
- Pédale | 9 |
Gesamtzahl der Stimmen | 53 |
Tastentraktur | Mechanical |
Registertraktur | Mechanical |
Windlade(n) | Slider chests |
Disposition
Grand-Orgue (C-f'''): Montre 16', Bourdon 16', Corni Dolci 16' (from c'), Montre 8', Bourdon 8', 1ère Flûte Harmonique 8', 2ème Flûte Harmonique 8', Salicional 8', Prestant 4', Gambe 4', Octavin Doublette 2'.
Positif de Dos (C-f'''): Montre 8', Bourdon 8', Flûte Harmonique 8', Gambe 8', Voix Céleste 8', Prestant 4', Dulciana 4', Nazard 2 2/3', Doublette 2', Tierce 1 3/5', Cornet 5 rangs, Grand Fourniture 2 rangs, Fourniture 4 rangs, Cymbale 3 rangs, Trompette 8', Cromorne 8', Hautbois 8', Clairon 4'.
Bombarde (C-f'''): Bombarde 16', 1ère Trompette 8', 2ème Trompette 8', Clairon 4', Clairon 2' - 4'.
Récit Expressif (C-f'''): Bourdon 8', Flûte Harmonique 8', Gambe 8', Voix Céleste 8', Flûte Octaviante 4', Octavin 2', Trompette 8', Basson-Hautbois 8', Voix Humaine 8', Clairon 4', Trémolo.
Pédale (C-f'): Flûte 16', Flûte 8', Grande Quinte 5 1/3', Flûte 4', Bombarde 16', Trompette 8', Basson 8', Clairon 4', Clairon 2'.
Koppeln: Accouplement du Positif au Grand-Orgue, Accouplement du Bombarde au Grand-Orgue, Accouplement du Récit au Grand-Orgue, Octaves Graves Récit au Grand-Orgue, Accouplement du Bombarde au Récit, Tirasse Grand-Orgue, Tirasse Positif, Tirasse Bombarde, Tirasse Récit.
Nebenregister und Spielhilfen: Appel d'Anches Récit, Appel d'Anches Pédale, Appel Machine Barker.
Übrige dispositiondaten | |
---|---|
Mehrere dispositionen |
|
Literatur |
|
Aufnahmen |
|
Weblinks |
http://www.orgues-micheljurine.com/en/orguerestauree3.html http://orgue.free.fr/a1o5.html https://it.wikipedia.org/wiki/Organi_della_chiesa_di_San_Rocco_a_Parigi |
|
|
|
|
|
|
|
|
|