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Description complète d'orgue sélectionné
Würzburg, Deutschland (Bayern) - Hochschule für Musik, Konzertsaal ("Hyper-Organ")
Commune: Würzburg
Région:Unterfranken
Adresse: Hofstallstraße 6-8, 97070, Würzburg
Site Web: https://hfm-wuerzburg.de/

Description no.: 2059588.

Bâti par: Klais Orgelbau (2016) - opus 1938

AnnéeFacteurOpusActivité
2016 Klais Orgelbau1938 orgue neuf
2024 Klais Orgelbau  expansion

  • In 2016, the Klais company built a new concert organ for the main hall of the Hochschule für Musik in Würzburg. The design was based on the organ by Johann Friedrich Wender from 1703, which he built for the church in Arnstadt on the advice of Johann Sebastian Bach. The disposition was subsequently expanded with different registers from other periods of organ music. There are four manuals and pedal, but the pipework of both divisions of the fourth keyboard (Solowerk and Fernwerk) has not yet been placed. Some pedal registers are also reserved. It is remarkable that Klais has opted for different unit registers and many transmissions. Consultant was Christoph Bossert.
  • The organ was built in two stages, with the fourth manual and part of the pedal planned but not built in 2016. The plan was discarded and the entire organ was totally rebuilt in 2024 and is basically a large unit organ with borrowed, extended and synthetic stops. The synthetic stops combine several base stops to produce a new sound.
  • The organ replaced an instrument of Steinmeyer (opus 2129) with three manuals and 39 stops, dating from 1966.

Données techniques
Nombre de registres par manuel
- Hauptwerk33
- Cornettwerk43
- Echowerk36
- Récit52
- Pedal54
Nombre de jeux total218
Transmission des clésElectrical
Transmission des jeuxElectrical
Sommier(s)Slider chests, Unit chests
Hauteur tonalea' = 443 Hz
TempératureBach-Kellner (modified)
Presse de Vent75-120 mm

Composition
Hauptwerk (C-c''''): Groß Untersatz 32', Groß Principal 16', Quintatön 16', Salicional 16', Principal A 8', Violon 8', Gemshorn 8', Viola di Gamba 8', Quintatön 8', Rohrflöte 8', Gedackt 8', Flauten 8', Cythara 8', Flaut Travers 8', Schwebungs Zustand 6 2/5', Quinta 6', Octav 4', Gemshorn 4', Rohrflöte 4', Flaut Travers 4', Zartflöte 4', Quint 2 2/3', Octavilet 2 fach (2'), Sesquialtera 2 fach (2 2/3'), Mixtur 4 fach (2'), Cymbel 2 fach (1/2'), Clarinette 16', Fagott 16', Bassethorn 16', Trompete 8', Clarinette 8', Bassethorn 8', Schalmey 4', Tremulant.
Cornettwerk (C-c''''): Bordun 32', Salicet 32', Principal 16', Violon 16', Bordun Flauten 16', Harmonika 16', Quint 10 2/3', Principal Primo 8', Principal Secondo 8', Stentor Gambe 8', Violon 8', Doppel Gedackt 8', Quintatön 8', Salicional 8', Terz 6 2/5', Quint 5 1/3', Septime 4 4/7', Principal 4', Repetierende Principal 4', Klein Gedackt 4', Dolcissimo 4', Terz 3 1/5', Quint 2 2/3', Repetierende Quint 2 2/3', Septime 2 2/7', Principal 2', Terz 1 3/5' (B/D), Quint 1 1/3', Septime 1 1/7', Principal 1', Grand Cornet 3 fach (32'), Grand Cornet 5 fach (16'), Cornett Mixtur 2-4 fach, Fourniture Major 3 fach (2 2/3'), Fourniture Minor 3 fach (1'), Trompete 16', Trompete 8', Clarinette 8', Clairon 4', Cornettino 2', Tremulant, Phys Harmonika 16', Phys Harmonika 8', Phys Harmonika 4'.
Echowerk (C-c''''): Groß Gedackt 16', Harmonika 16', Violon 8', Labial-Clarinette 8', Gemshorn 8', Salicional 8', Rohrflöte 8', Gedackt 8', Concert Flöte 8', Hohlflöte 8', Dolce 8', Holz Harmonika 8', Vox Coelestis 8', Quinta 6', Fugara 4', Principal 4', Nachthorn 4', Spitzflöte 4', Flaut Travers 4', Zartflöte 4', Vox Coelestis 4', Quinta 3', Principal 2', Flautino 2', Terz 1 3/5', Harmonia Aeteria 2 2/3', Quint 1 1/3', Principal 1', Repetierende Tertia 4/5', Rausch Quint 2 fach (2'), Sesquialtera 2 fach (2 2/3'), Mixtur 3 fach, Vox Humana 8', Phys Harmonika 16', Phys Harmonika 8', Phys Harmonika 4', Tremulant.
Récit (C-c''''): Violon 16', Salicional 16', Stentor Gambe 8', Jubalflöte 8', Violon 8', Bourdon 8', Stentor Gambe 4', Jubalflöte 4', Bourdon 4', Repetierende Quint 1 1/3', Repetierende Terz 4/5', Repetierende Septime 4/7', Tritonus 3 fach, Cornett Mixtur 2–4 fach, Bombarde 16', Clarinette 16', Bassethorn 16', Trompette 8', Clarinette 8', Bassethorn 8', Clarinette 4', Skinner Clarinette 8', Tremulant, Harmonika 16', Salicional 8', Flaut Travers 8', Aeoline 8', Vox Coelestis 8', Zartflöte 4', Aeoline 4', Vox Coelestis 4', Aeoline 2 2/3', Aeoline 2', Aeoline 1 3/5', Aeoline 1 1/3', Aeoline 1 1/7', Aeoline 1', Aeoline 8/9', Aeoline 8/15', Repetierende None 8/9', Echo 4 fach, Septim-Zimbel 2 fach, Perfecta 3 fach, Imperfecta 3 fach, Comes zu Perfecta 3 fach, Echo-Theorbe 32', Harmonika Regal 16', Aeolinen Regal 8', Hautbois 8', Schalmey 8', Phys Harmonika 16', Phys Harmonika 8', Phys Harmonika 4'.
Pedal (C-g'): Untersatz 32', Flûte 16', Violon Bass 16', Sub Bass A 16', Salicet Bass 16', Quintatön Bass 16', Gedackt Bass 16', Harmonika Bass 16', Quint Bass 10 2/3', Flûte 8', Gamben Bass 8', Violon Bass 8', Diapason 8', Principal Bass 8', Gedackt Bass 8', Salicet 8', Aeoline 8', Terz Bass 6 2/5', Quint Bass 5 1/3', Septime 4 4/7', Octav 4', Travers Flöte 4', Stentor Gambe 4', Aeoline 4', Aeoline 2 2/3', Aeoline 2', Aeoline 1 3/5', Aeoline 1 1/3', Aeoline 1 1/7', Aeoline 1', Aeoline 8/9', Aeoline 8/15', Theorbe 9 fach (32'), Tritonus 7 fach (3 1/5'), Sesquialtera 2 fach (2 2/3'), Fourniture Major 3 fach (2 2/3'), Fourniture Minor 3 fach (1'), Posaune 32', Posaune Combination 32', Harmonika Regal 16', Aeolinen Regal 16', Posaune 16', Clarinette 16', Bassethorn 16', Phys Harmonika 16', Skinner Clarinette 8', Trompette 8', Clarinette 8', Trompete 8', Bassethorn 8', Phys Harmonika 8', Clarinette 4', Phys Harmonika 4', Cornett 2'.

Autres données des dispositions
Autres dispositions The specification realized in 2016, with preparations, was:
Hauptwerk (C-c''''): Bordun 32' - aus III. Manual, Salicet 32' - aus II. Manual, Principal 16' - Reihe A, Quinte 10 2/3' - Reihe B, Principal 8' - Reihe A, Doppelgedackt 8' - Reihe E, Terz 6 2/5' - Reihe C, Quinte 5 1/3' - Reihe B, Septime 4 4/7' - Reihe D, Principal 4' - Reihe A, Dolcissima 4' - aus III. Manual, Terz 3 1/5' (B/D) - Reihe C, Quinte 2 2/3' - Reihe B, Septime 2 2/7' - Reihe D, Principal 2' - Reihe A, Terz 1 3/5' - Reihe C, Quinte 1 1/3' - Reihe B, Septime 1 1/7' - Reihe D, Principal 1' - Reihe A, Mixtur 2-4 fach (4') - Reihe F, Mixtur 6 fach (2 2/3') - aus II. und III. Manual, Ophecléide 16' - Reihe G, Ophecléide 8' - Reihe G, Clairon 4' - aus II. Manual, Tremulant.
Positiv (C-c''''): Quintadena 16', Salicet 16', Principal 8', Quintatön 8', Viola di Gamba 8', Flauten 8', Cythara 8' (c°-c'''), Octav 4', Mixtur 4 fach (2'), Cymbal 2 fach (1'), Trompete 8', Tremulant.
Transmissionslade: Gemshorn 8', Gedackt 8', Nazard 5 1/3', Flaut Travers 4', Sesquialter 2 fach (2 2/3'), Fagott 16'.
Echowerk (Schwellbar) (C-c''''): Großgedackt 16', Salicional 8', Dolce 8', Holzharmonika 8', Labial-Clarinette 8', Spitzflöte 4', Tertia 3 1/5', Gemshornquinte 2 2/3', Flautino 2', Rauschquint 2 fach (2 2/3'), Harmonia Aetheria 4 fach (2 2/3'), Hautbois 8', Vox Humana 8', Tremulant.
Gesondert schwellbar: Physharmonika 16', Physharmonika 8'.
Transmissionslade: Gemshorn 8', Gedackt 8', Nazard 5 1/3', Flaut Travers 4', Sesquialter 2 fach (2 2/3'), Fagott 16'.
Solowerk (Schwellbar) (C-c''''): Bordun 16' - Reihe H, Bordun 8', Flûte Harmonique 8', Aeoline 8', Vox Coelestis 8' (c°-c'''), Fugara 4', Zartflöte 4', Tremulant, Clarinette 8'.
Gesondert schwellbar: Stentorgambe 8' - Hochdrück.
Fernwerk (Schwellbar) (C-c''''): Holzharmonika 16', Gambe 8', Voix Céleste 8' (c°-c'''), Vox Angelica 8', Rohrflöte 8', Dynamische Zunge 8', Tremulant.
Pedal (C-g'): Untersatz 32' - Reihe H, Principalbass 16' - Reihe A, Violonbass 16' - Reihe K, Salicetbass 16' - aus II. Manual, Subbass 16' - Reihe H, Quintatönbass 16' - aus II. Manual, Gedacktbass 16' - aus III. Manual, Quintbass 10 2/3' - Reihe B, Octavbass 8' - Reihe A, Violonbass 8' - Reihe K, Flûte Harmonique 8' - aus IV. Manual (reserviert), Stentorgambe 8' - aus IV. Manual (reserviert), Salicet 8', Aeoline 8' - aus IV. Manual (reserviert), Vox Coelestis 8' - aus IV. Manual (reserviert), Bordun 8' - aus IV. Manual (reserviert), Terzbass 6 2/5' - Reihe C, Septime 4 4/7' - Reihe D, Octave 4' - Reihe A, Fugara 4' - aus IV. Manual (reserviert), Zartflöte 4' - aus IV. Manual (reserviert), Mixtur 6 fach (2 2/3'), Posaune 32' - C-H akustisch, Posaune 16', Ophecléide 16' - Reihe G, Trompete 8', Ophecléide 8' - Reihe G, Clarinette 8' - aus IV. Manual (reserviert), Cornett 2'.
Références
  • Neue Orgeln in Bayern / Merle Roßner. - In: Musik in Bayern, Band 81, Jahrgang 2016.
  • Konzeption und Disposition der neuen Klais-Orgel in der Hochschule für Musik Würzburg / Christoph Bossert. - In: Ars Organi, 66. Jhg., Heft 2, Juni 2018.
  • Die neue Orgel der Musikhochschule Würzburg: eine zukunftsweisende Orgel? / Roland Eberlein. - Digital publication, 2016.
Lièns https://www.klais.de/m.php?sid=311
https://klais.de/_klais/bilder/pdf/Wuerzburg_MHS_Dispo1_MIDI.pdf
https://klais.de/_klais/bilder/pdf/Wuerzburg_MHS_Dispo2_Klaenge.pdf
https://hfm-wuerzburg.de/news/hyper-organ
https://de.wikipedia.org/wiki/Hochschule_f%C3%BCr_Musik_W%C3%BCrzburg#Konzertsaal-Orgel
http://www.walcker-stiftung.de/Downloads/Blog/Orgel_Musikhochschule_Wuerzburg.pdf